New Blue Snake Blog Post Out!

20 02 2008

Just what the title says!

Find it here: Capoeira é Magia: ACSF and Why Capoeira Changes Us





New Book! Capoeira Beyond Brazil

19 02 2008

Now this one, I’m looking forward to!  Another winning combination for me: capoeira and poli sci/international relations.  😀  This book also seems like it’ll be particularly relevant to all us gringas (that’s not a derogatory term, is it?) who do capoeira.  It comes out October 2008—people do presents for Hallowe’en, right?

From North Atlantic / Blue Snake Books:

Capoeira Beyond Brazil, by Aniefre EssienUntil recently, Brazilians dominated the market on capoeira books, yet the form has spread across the globe over the last four decades. This expansion from the favelas (slums) to the world stage has introduced a host of new capoeira practitioners with varied lineages, techniques, and traditions. In Capoeira Beyond Brazil, Aniefre Essien brings an international, political perspective to capoeira, speaking to both the novice and aficionado, as well as to historians, martial artists, social justice organizers, and youth development professionals.

Essien shows capoeira in its complete historical context, providing not only technical instruction but a critical history that highlights the political milestones of the form. Author Essien doesn’t shy away from the realities of the capoeira community, directly illustrating principles that should be embraced, as well as established norms in practice and instruction worth questioning.

Capoeira Beyond Brazil expands the meaning of capoeira with a sociocultural consideration of the effects internalization has had on the form. Showcasing Essien’s own experiences using capoeira training at-risk youth, the book articulates the form’s empowering aspects with strategies for using martial arts to foster individual self-reliance and confidence, as well as a commitment to community development.

Author Biography:

Aniefre Essien, aka Tartaruga, started teaching capoeira to at-risk youth in Oakland, California, in 1988. Since then he has studied with Mestres Russo, Ralil, and João Pequeño. A three-time gold medal winner at the Copa des Americas, and the editor of Mestre Preguiça’s book Capoeira: The Art of Survival, he lives in Oakland, CA.





Defining Moments in the Life of a Capoeirista

17 02 2008

(Inspired by—read: totally stolen from—a post I read yesterday, titled “Defining Moments in the Life of a ProBlogger”.)

There’s no doubt that for many if not all of us, starting capoeira was a vivid catalyst in life. Maybe you refer to events in your past as “before capoeira” and “after capoeira”; maybe these days you wonder how exactly you used to kill all that time you now never seem to have enough of to train. Looking back over your life within capoeira, though, what are some of the torch-igniting, heart-propelling, or end-of-the-rainbow-finding moments that instantly flicker onto your mental projection screen? Which are the scenes of instant recall, indelible word-for-word, gesture-for-gesture, in your mind?

It’s different for everyone, of course, but I’m going to share just a few of mine here. Feel free to join in, under Comments!

My first capoeira class: “You should take your socks off…”

Attempted bananeira leg switching thing.One thing that I failed to mention in the post about my first capoeira class was a “conversation” I had with a girl there—actually, I don’t remember if it was in my first or second class, which may have been why I didn’t include it. Before I go on, you should know another thing I didn’t include was that for my first couple capoeira classes, I kept my socks on. (Hey, it was in a public place, I was wary of germs, fearful of slivers, and had no protective calluses yet to speak of!)

So halfway through class, one of the higher-level girls (who was also really pretty, and tattooed, so that was like three times the intimidation) came up to me and told me I should take my socks off. I forget exactly what I said, but basically waived her off politely; at any rate, I kept my socks on. Then I was scared I’d been rude, so at the end of class I went up to her and thanked her again for the advice and said I’d kept my socks on because I didn’t want to get a sliver, etc. Her reply?

“It’s better to get a sliver than to slip and fall on your ass.”

It was so <insert name of total underdog reaches the top against all odds feel-good movie here>.  If we really were in a movie, she’d probably have become my mentor, or I would’ve earned her grudging respect about an hour in, after a dizzying montage of intense training scenes, haha.

Anyway, she was/is actually super nice, of course, but that was my first taste of capoeira tough love!

Getting my apelido: “And it only took one year, four months, and eight days!”

Gearing up for macacoFor roughly the first year and a half of my training capoeira, my mainstay was one of our academy’s branch classes, and I only ever went to the academy for occasional rodas or near batizados times. Since my teachers at our branch didn’t speak Portuguese, and I wasn’t really taught, thus known, by teachers who did, I suppose that’s why I never got an apelido. However, I’d started taking dance classes taught by one of the academy’s teachers, and thanks to summer vacation, had started venturing into the academy more often.

We had a major fundraising event on December 10th, and it was two days before that that our dance teacher was taking down names for who would be going (which is how I remember the exact date I got my nickname). She was reviewing the list, and it went something like this:
“Altaaa”
“Nativaaa”
“Caladaaa”
“Pricessaaa”
“Spongiaaa”
“Capivaraaa”

At this point I interjected with my real, non-Portuguese name somewhat lamely (at least it rhymed)…but then!

“Oi, I thought of a name for you.”

And thus wast Joaninha. 😛

My last capoeira class: “NO, I will not cry for you guys!”

Blurry bananeiraActually, that quote was from after my last roda with my grupo, before leaving home for a while, and it was true because I had cried driving home from my last class, two days before. (By the way, tears and night-time and pouring rain and trying to pass a bus pulling out from the curb all at the same are never a good idea.)

It was the weirdest thing, because I’d been a little nostalgic of course, during the class at our academy, but other than that I’d been fine. It was while saying bye to someone from my main branch class, and telling him to tell the others I said bye and would miss them in case I didn’t finish packing in time and wouldn’t make it to the roda the day before my flight (in hindsight: yeah, right!), that I started choking up, and so suddenly and quickly it actually startled me.

Then while on the way home, you know that line about your life “flashing before your eyes”? I’m not comparing having taken my last class there before leaving to death or anything (even I think that would prove non-capoeiristas right about my sanity, or lack thereof!), but the only thing my mind played on the drive home was an endless filmstrip of capoeira memories, including all the ones mentioned above, plus thinking over everything I got out of capoeira, and how utterly different my life would be if I’d never started, and general things to be missed, such as capoeira friends, training sequences, teachers, rodas, etc.

And I can say with complete and absolute honesty that even after I was away for months, even though I have great family and friends, the only thing I missed about home was capoeira!

Getting my second belt: “Did he call my name???”

Unfortunately, this shot is based more on good camera timing than muscular strength!I suppose getting my first belt was kind of a big deal, but to me it seemed more of a formality than anything else. To be honest, I’m not sure if I can even remember who played me on the stage, and I suppose it didn’t hold as much significance for me because I knew anyone could get the first belt just for three months of regular attendance; it was only based on “participation marks”, in other words. My second belt, however—I never expected to receive that when I first started capoeira, and when I did receive it, I hadn’t been planning to let myself start hoping for it till about 6-12 months later.

There I was, watching my friend play for her corda on stage, my hair figuratively and literally let down, when all of a sudden one of my main teachers comes up to me through the crowd of students:

“Hey, do you know your nickname?”
“Yeah; Joaninha, right?”
“Okay, good.”

And without another word, he melted away into the crowd—leaving me in complete mental turmoil! “Wait. Did he mean…? But no…but then, that would’ve been really cruel…so…okay…what?! Okay…I am so glad I have a hair-tie on me right now!”

Then even when my name was called, I wasn’t sure. I definitely did not want to go up there only to find out I’d heard wrong, so I grabbed my friend’s arm (apparently a lot harder than she thought necessary) and frantically whispered, “Did they call my name?? Did you hear my name??” She didn’t know and told me to ask our head teacher, who had luckily just walked past us (the orixas must have been smiling on me that day; who knows if I might actually have stayed in the wings if I hadn’t been able to get confirmation that I was supposed to go up there?). So, I ran and grabbed his arm: “Did he call my name?? Am I getting my second belt?? Did he call my name??” (Meanwhile, the line of other students getting their second belts is shortening; I have absolutely no idea how any of their games went.)

Of course, at this point, while I’m probably leaving finger nail-shaped bruises on his arm and nearing critical peak panic point, our head teacher, in true capoeirista fashion…makes fun of me. “What do you mean, did he call your name?? Nobody here has those names; they’re all fake names!”

Long story short, I went up, I played, I got my second belt. And I think that’s when it became real, not just trying something new, and for good, not just a phase: Alright, so I guess I’m really doing this now.  Of course, that still didn’t stop me from expecting my belt to go poof into thin air or find out it was all a big mistake throughout the next few weeks!

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What’s Wrong with Women-Only Capoeira Events?

16 02 2008

You may have noticed that a while ago I put up an events listing on my blog sidebar, featuring capoeira women’s events.  The truth is, I was a bit iffy about the whole idea, but in the end decided to go ahead with it anyway.  In this post I explain why, and thanks to Cenoura for the prompt!

When it comes to all-women (meaning women-only) capoeira events, I’m not completely against them (obviously, seeing as they’re being publicized on my blog), but I don’t think they’re the greatest idea in the world, either.  For one thing, their existence, more specifically the focus on women-only rodas, is yet another phenomenon rooted in the idea that women and men don’t or can’t play on the same level.  It’s just like when you were in gym class at school, and the teacher separated the boys from the girls to play football, or soccer, because they thought the girls wouldn’t be able to handle playing with the boys, or wouldn’t be given a chance to play by the boys.  On the other hand, there is probably something to be said for the atmosphere of support and comaradery found at these events (well, I’m assuming that’s what the atmosphere would be like; I’ve never actually been to one), where women can share stories about training, past experiences, what it’s like for them in their respective grupos, etc. 

Should there be women-only rodas or events in capoeira?

Before continuing though, we need to make an important distinction here.  I’m all for capoeira events that are about women, such as FICA’s 2008 Women’s Conference.  Events like this bring up and address important issues, and they are for men as well as women, and they work towards resolving matters such as, I’d imagine, sexism and discrimination in capoeira.  Women-only events or rodas that are held purely for the sake of having something women-only, however, in my opinion, only serve to highlight “the divide” (a phrase I’m starting to despise, so please take no notice of it beyond what’s necessary for this sentence to make sense) without providing a channel for discussing, deconstructing, or resolving it.  And if they do provide a channel, then that’s even more reason for the event to be for men as well as women.

Now that I think about it, even the pros mentioned above aren’t very good arguments for women-only events, once you consider that support and comeradery are found at most capoeira events in general, and that women can always share stories there, as well.  I read somewhere that another reason for all-women events was so female capoeira students could meet and be inspired by women who had reached high levels in capoeira.  My response to that, though, would be to invite more of these women to normal capoeira events (thereby, moreover, balancing out the gender ratio of high-level belts at these events and killing two birds with one stone)!

At the same time, I still don’t feel I can just outright condemn or want to call for a stop to all women-only events.  I figure while they’re still going on, you may as well go and get what you can out of them, which I’m sure can be a lot.  I know, also, that they are supposed to be empowering rather than alienating or belittling in terms of women in capoeira.  (Although, just to be Devil’s advocate, let’s not forget what the road to Hell is paved with…!  Good intentions are what fuel my self-christened “Chauvinist Theory“, as well.)

In the end, I think a lot of it depends on each individual event, what it includes, and how it’s pulled off.  Most of what I’ve said just applies to all-women events, however; all-women rodas alone, I would say, are unnecessary.  And they certainly should not be held, as I read happened somewhere, at co-ed/”normal” capoeira events!  (I don’t know about you, but my grupo finds it more useful to split up participants by corda level, not gender…)

Picture source: http://www.capoeirabrasileira.com/pics/mulheres.jpg





Videos: Roda Feminina

15 02 2008

This was a post I saw on Chan’s Soul Capoeira Blog/Site a while ago, and I’ve been meaning to appropriate it every since!  I think I agree with his views when it comes to all-women rodas, etc., for fairly obvious reasons, but I also feel I need to do more thinking through of the matter, too.  However, I’ll save that for some time later down the road.  For now, witness some real mandingueiras in action!

Part 1

Part 2





How do I love thee? Let me count the ways.

14 02 2008

In the spirit of Valentine’s Day, I thought just for fun I’d rework one of the most well-known love poems in English literature, for what is sadly the only love in my life right now!  Happy Valentine’s Day everyone!

How do I love thee?  Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when dancing in the fight
Of beauty, violence, music, guile, and grace.
I love thee to the level of vadiação’s
Most poignant note, by toque and ardent voice.
I love thee freely, as old malandros rejoice;
I love thee purely, as ere they had cordãos. 
I love thee with a passion put to use
In one last roda, with thirst for axé whet.
I love thee with a love I seemed to lose
With my lost faith, — I love thee with the sweat,
Smiles, tears, of all my life! — and, if life choose,
I shall but love thee better after yet.

Eu amo capoeira! 

Original poem here.

Picture source:
http://www.capoeiragem.com/assets
/images/special_iheartcapoeira.jpg





Video: Mestra Jararaca

13 02 2008

Here is a short clip of Mestra Jararaca playing, in an old video from 1997.  Thanks again to Shayna for the link!

Click here to see other posts in Ie viva meu Mestra





Ie viva meu Mestra, Part 8: Mestra Jararaca

13 02 2008

Mestra Jararaca, of Grupo Irmãos Gêmeos, was the first mestra to come out of the Bahia capoeira angola scene.  Unfortunately, there is very little information about her available on the web, but thank you to Shayna M. for the one article I do have!  It was originally in French and I’ve translated it into English to post here.

October 2001 

Mestra Jararaca playing in the rodaThose who saw a serious child with a small smile playing in the rodas of João Pequeno, in Santo Antônio, never imagined that time would transform her into a master.  In truth, however, she is the first female mestre in capoeira angola in Bahia.  Valdelice Santos de Jesus, more often known as Mestra Jararaca, never saw herself becoming a capoeira master either, but talent and destiny gave a helping hand to “the little girl who played like a man”. 

Today, the young woman of hardly 27 years is preparing for a personal journey and takes care of her two sons (Luiz et José Carlos, 3 and 6 years respectively), in addition to participating in activities alongside Mestre Curio, student of the legendary Pastinha.  “I started when I was 11 years old, hiding it from my father, who said that capoeira was something for boys,” remembers the mestra who, even while running the risk of being reprimanded, continued to frequent the roda with her older sister Ritinha, who is a student of João Pequeno to this day.

To the question of how she juggles family, teaching, and continuing to perfect her art, the young mestra smiles self-consciously, replying that she never lacked determination in life, even when her father interrupted one of her training sessions and forbade his daughter to continue them.  “It was in 1989, after my father died, that I returned to capoeira,” she said. 

During the period when she stayed far from rodas, Mestra Jararaca came to know another world and decided to educate herself.  “I started working very early, selling doughnuts, working as a nurse and as a cleaning lady.  One day in one of the houses where I worked, I asked my boss—who was a very respected saint-mother, known as Ciandra Mãe—to read a newspaper article to me.  She told me then that those who didn’t know how to read were blind to the world.  I returned to my house, and decided to no longer be blind.” […]  Between courses at the Institut d’Education Isaías Alves and work, Mestra Jararaca found time to play soccer with boys in the street of Santo Antônio.

If capoeira hadn’t been there, who knows if soccer wouldn’t have had another valuable representative equal to those of the past, masculinized generation?  “My father said that I was capitão de areia [captain of the arena] and that it wasn’t good for a young girl to live freely with guys, but I wasn’t worried about that,” declared the woman who, when pregnant, never stopped participating in rodas. 

When she returned to capoeira, it wasn’t long before Mestra Jararaca became a professor at Mestre João Pequeno’s academy, working alongside great mestres such as Curio and Moraes.  Potentially detrimental pride and jealousy were put to a halt by arranging for the young capoeirista to train with Mestre Curio.  “I was already a professor, but when I entered my mestre’s academy, I needed to learn a new game,” she stated. 

It was this period that gave rise to Valdelice’s evocative apelido, given by her new mentor.  According to Mestre Curió, one simply needs to see her playing capoeira to know why she is called Jararaca.  While training, the young lady who moved like a cobra showed true distinction, eventually becoming a contra-mestra and, this past January, earning the title of mestra in a grand roda, as demanded by the angola tradition.

As for prejudice stemming from the fact she is a woman, Mestre Jararaca resolves that matter in the roda.  “I have no patience for people who think that being male, being strong, or having a bit of training makes them superior.  Capoeira is a school of each day, which lasts through all life and serves men as well as women,” concludes the first angola mestra from Brazil, who holds in honour the memory of the first female capoeiristas in Bahia.

-by Carmen Vasconcelos (translation by Joaninha)

Source:
http://www.capoeira-infos.org/ressources/presse/jogo_de_moleca.html

Picture source:
Youtube – apologies for the low quality pixel count!

Click here to see other posts in Ie viva meu Mestra





Calling All Capoeiristas! Who Do You Know is Working for Change?

12 02 2008

Is your grupo building a school in Brazil?  Has your mestra/e organized a panel on women in capoeira?  Does a capoeirista you know inspire change wherever s/he goes, through their love of capoeira and passion for the art?

If so, I want to hear about it! 

Readers/fellow capoeiristas!  This is your chance to contribute, and moreover your chance to turn the spotlight on that deserving someone or worthwhile project that you feel the world needs to know about.  Here’s how it works:

1. You send me an email describing who or what you want to spotlight, and why you think I should write about them.  The only criteria is that it has to have something directly to do with how capoeira is helping to make a difference in the world.  I won’t put a word count limit on it, but please keep in mind time constraints and that your submission will not necessarily be chosen.  Send the email to axejoaninha[at]gmail[dot]com, with subject line: Spotlight Capoeira and Change.

2. If your email is chosen, I will send a reply asking for more information about the person/project/story, including contacts and possibly photos.  The article I write will then be featured on Blue Snake Books Blog, as part of their/my ongoing Capoeira and Change series (and of course publicized here on Mandingueira).

What’s in it for you?

Well, first of all, those warm fuzzies that we all love so much!  But in more tangible terms:

  • You will receive the very cool custom-made Mandingueira spiral-bound capoeira notebook featured in the picture below.  (Perfect for keeping track of all those sequences and song lyrics!)
  • Your spotlightee(s) will receive a donation ($20 CDN), if a current project and accepting, or also a notebook, if an individual person.

Tell me how you see capoeira changing the world, and win this Mandingueira notebook! 

So, what are you waiting for?  If there’s a time for you to speak up, it’s now!  And don’t just tell me—tell your sister about this, your partner, your best friend, your contra-mestra, and every capoeirista you know!  This will be an ongoing project, which means unless I indicate otherwise before then, I’ll still be accepting emails for this six days, three weeks, two months, etc., from now.  Please keep in mind, though, that it doesn’t count if you tell me about something already mentioned on this blog or that is obvious/easy to find (e.g. ABADA Capoeira San Francisco, Grupo Nzinga), unless you are writing about a specific project or movement that may or may not be widely known yet.  Finally, also please know that if you email me about something and I don’t write about it right away, that does not mean I won’t write about it some time in the future!

To find out more about the thoughts and ideas behind this, or what exactly I mean by “capoeira and change”, please read these posts (if you haven’t already):

Can Capoeira Change the World?
Can Capoeira Change the World? Part 2
Capoeira as a Force of Change

 

To: axejoaninha[at]gmail[dot]com
Subject: Spotlight Capoeira and Change

Body:

Over to you!

Update:
I’ve created a page on my site (see navigator bar) specifically for this project, for easy reference in the future.  Also, upon further thought I decided to pick a subject to spotlight no more than once a month.  Which means that you guys get a whooooole month to put in your proposals!





Battle of the Titans: The Internal Struggle between Capoeira and…Everything Else

10 02 2008

When it comes to capoeira, there is no doubt that the more you train, the better.  In a perfect world, we would all get to train capoeira as much as we wanted to (or needed to), as often as we could, and simultaneously stay on top of everything else going on in our lives—school, career, relationships, etc. (and get full nights’ worth of sleep while we were at it!).  Unfortunately, this isn’t always the case.  So, what happens when these two giants in your life (“capoeira” and “everything else”) clash for your time and energy?

Capoeiristas play capoeira.  And everything else?

On the one hand, it seems there’s just no help for it.  As crazy as I am about capoeira, I’m not about to blow a great career opportunity or cut an important class for one session of training (manipulating my course timetable to work around training, however, is a different matter 😉 ).  I know of at least one or two people who have a really hard time training not even nearly as much as they would like, due to exacting careers or studies, and I always wonder, what will happen for me in the future?  At one point in time I was considering going to medical school after graduating, and upon hearing this someone said to me, not without reason: “You won’t be doing capoeira then!” 

The thing is, I always thought it had to be one or the other.  My grupo in particular has a very hardcore take on training and commitment, which I appreciate and wouldn’t want any other way, but which also really forces you to decide what the priorities in your life are.  Training time increases with corda rank, naturally, but by my second belt I was already training 5x/week, and anything less than daily for my teachers, not even graduados themselves (but still more than skilled/competent, of course), was rare.  To get even anywhere near becoming a mestra or mestre, it seemed, took not only a lifetime but quite indiscriminately a life, leaving no room for anything else.

This impression only strengthened when I read biographies of mestres, my grupo’s mestre, guest mestres, branched-off mestres, all of which related how pretty much the entire lives of all of these men were devoted to capoeira, leading to them becoming mestres, and as far as I know, their lives are still 100% devoted to purely capoeira, their academies, the growth of their schools, etc.  Of course, there’s nothing wrong with that; that’s not my point here, and capoeira can always use that kind of dedication, which merits admiration.

My point is: A short while ago, I experienced yet another “revelation”, connected to this and again mostly to do with capoeira angola.  I know it seriously seems like I’m about to defect to an angola group any day now (to those who might, don’t worry; I’m not!), but I had to share it.  This was the revelation:

  • Rosangêla de Araújo Costa: Mestra Janja of Grupo Nzinga and historian and university professor
  • Paula Cristina da Silva Barreto: Mestra Paulinha of Grupo Nzinga and sociologist and university professor
  • Paulo Barreto: Mestre Poloca of Grupo Nzinga and geographer
  • Pedro Moraes Trindade: Mestre Moraes of GCAP and public school teacher
  • Nestor Capoeira: Mestre and author and PhD alumnus
  • Marcia Treidler: Mestranda Cigarra of Abada Capoeira and founder/Artistic Director of ACSF (non-profit NGO)

As you can see, every one of these illustrious individuals is a superlative capoeirista, at the top of the corda ranks and at the top of their game, yet there is much more to their lives and careers than capoeira alone.  For them, it seems, substantial progress in capoeira (to say the least—they’re mestres!) and major non-capoeira commitments (e.g. post-grad degrees, career development) were not mutually exclusive concepts. 

So, firstly, where did my bedrock belief in the contrary come from?  My grupo’s “philosophy”?  My own insecurities?  (Speaking of which, I should make it clear here that I have no plans, intentions, hopes or expectations of becoming a mestra, ever, but everything I said still applies to the idea of advancing through belt levels in capoeira in general, which is the part that applies to me!)

And secondly, what currents cause growing capoeiristas, potential mestras/mestres-to-be, to sail one way or the other?  Regarding the people listed above, I want to know: How did they do it?  Or how were they “allowed” to do it, to take the time they must have needed to accomplish their other goals, yet have trained enough and been recognized as dedicated enough to be deemed mestras?  Perhaps, as I think is in some cases, their other achievements were accomplished after the fact, when they had already earned the mestre/a corda and was then released from the training pressure of a normal student (although I can imagine a whole new set of pressures coming in to replace that!).  Perhaps, as is also likely, their grupos had different “philosophies”, more conducive to the simultaneous success of non-capoeira pursuits just as considerable as the capoeira one.  Or maybe they really did go “capoeira-lite” for a while, reached the moon, then came back, caught up, and re-donned the capoeira horse-blinders.

In any case, I found this particular “revelation” to be very heartening and encouraging (even inspiring), and I have so much admiration for capoeiristas like Mestra Janja and Mestranda Marcia.  Perhaps there’s room in the world for a martelo-throwing rasteira-sneaking newsbreaking world-changing difference-making writer-publisher-journalist-capoeirista after all. 😛

Picture source:
http://www.capoeira.org.nz/index.php/item/258

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