When you clap and sing along in the roda, do you always know what you’re saying, what the words resounding in your ears really mean? Are you unknowingly patronizing “women [as] the ones who clap their hands” (as opposed to “men are the ones who play pandeiro”), or accusing fellow (female) capoeiristas of being “like a snake / with venemous blood”? Do you really believe that “woman killed man … / When she doesn’t kill him, she consumes him”? Are you enthusiastically belting out, “Every jealous woman…I would kill them” and “When a woman is useless / Man sends her away”?
It’s no secret that capoeira song lyrics contain some questionable and old-fashioned themes about women. I’ve been thinking about the topic of women and capoeira songs / women in capoeira songs since I came across a thread on the capoeira.com forum, and fully realized that there are actually a lot of sexist, chauvinistic, and misogynistic lyrics in “traditional” capoeira songs. However, I wasn’t sure exactly how a post on this would work, since such treatment or views of women seemed so prevalent in capoeira songs that either I’d have to make a 20-page study out of it, or simply reduce it all to one obvious sentence (like the first one of this paragraph).
Well, lo and behold, some diligent soul went the route of the 20-page study! And thanks to the greater diligence of Shayna M., we now have an English translation of it, as well. 😀
Before you read it (link below), just a few comments. I thought the author, Maria José Somerlate Barbosa, did a good job overall, and she definitely made clear the extent to which capoeira song lyrics degrade and denigrate women. All of the themes she points out are the typical misogynistic narratives of weakness, deceit, castrating, etc.
However, I agree with Shayna’s note that the author could’ve picked a better choice for the example of a “pro-women” song. Besides its obscurity, for me, I’m not too crazy about the fact that the song actually reinforces stereotypes of “the feminine”, even if it is to deem them positive instead of negative. We’ve gone over this issue a couple times on this blog already, so if you would like some elaboration, please read my posts on “The Feminine in Capoeira” (Part 1: Malicia and Part 2: Context), or check out the discussion that developed in the Contra-mestra Cristina post’s comments thread.
Finally, I found it interesting that one of the capoeira songs Barbosa picked to criticize, I actually thought was okay at first. The song goes:
In order to be beautiful
A woman doesn’t have to wear make-up
Make-up is of the Devil
It is God who gives beauty
Like I said, at first I didn’t see much wrong with that. In fact, I thought it was a good thing, seeing it as something that spoke out against today’s consumerism and fashion industry, which eats both women and little girls alive. As you will see though, Barbosa goes on to explain how this song both plays on misogynist themes and demonstrates how men try to control women’s actions.
The fact that I didn’t see this before brought up another important issue for me, something that goes back to that first-year post-modern, feminist, overkill-agenda-pushing English professor I mentioned in my very first post. The problem my friends and I had with her was that she would bring her feminism into everything, even if the novel we were studying or discussion we were having hardly seemed to have anything to do with gender issues at all. Eventually, it got to the point where we realized that by continually bringing them up, our professor was doing more to ingrain such narratives into our heads rather than encouraging us to fight them. That is, by continuing to push how women were seen or portrayed as “lesser”, for example, my friends and I just learned to automatically associate “women” with “lesser”. See how that works?
So in the case with this capoeira song, is it a good or a bad thing that Barbosa changed my view 180° on it? This also relates to the larger issue of speaking out against misogyny/sexism in the first place. As some people think, do feminists “just look for stuff to get mad about”? And won’t continually pointing out this stuff have the same effect as my first-year English prof on my friends and I, only reinforcing the stereotypes in people’s heads rather than breaking them down?
First, I’ll answer the latter question, quoting the answer I gave to someone in my facebook group. Their question was, “Why do you think it’s necessary to point out women in capoeira if by doing so, you make a border between men and women?”
I kind of looked at it almost as the lesser of two evils. It’s true that if I do talk about it, it makes people more aware of the “divide”. On the other hand, some divide is there whether I talk about it or not, and if people aren’t aware of it, it will just stay that way. So I guess I’m trying to point it out in order to make people more aware of it so they don’t go along with it unthinkingly, and might even maybe start actively trying to break it down.
So perhaps that was what our English professor was trying to do, as well: make us aware of it so we didn’t unthinkingly go along with everything we read. However, I still think a lot of what she tried to inject into our curriculum was unecessary, so I’ll just say for my part, as I also told the guy in my facebook group, that I think I do a fair job here on Mandingueira of only touching on feminist issues when they come up naturally, without trying to force the issue in every post.
As for the other question (“Do feminists just look for stuff to get mad about?”), a blog formerly known by the brilliant title of “Shakespeare’s Sister” deals with that issue exactly. Among her well-written, well-reasoned points, this paragraph touched me especially:
The truth is, if I actually spent my days actively paying attention to every example of misogyny around me, I would be a profoundly unhappy woman. Not bitchy or grumpy or short-tempered, but paralyzingly depressed. Women have to train themselves to avoid consciously reacting to every bit of misogynistic detritus permeating the culture through which we all move, lest they go quite insane. I write about the things I can’t not write about. If I wrote about all the examples of sexism I see every day, I’d never sleep.
This is true, and it resonated especially well with me because it echoes a novel I studied last year, George Eliot’s Middlemarch (which is really good, and which you should all read):
If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel’s heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
The point in both passages is that for the most part, we humans have desensitized ourselves to others’ suffering, and to a certain extent, this is actually necessary because if we were to or were able to be truly aware of all the pain and injustices and suffering in the world, every instant of hurt and every moment of wrongness, we wouldn’t be able to handle it; we would break down, go insane, and simply implode from the roar which lies on the other side of silence.
And I feel it, sometimes; all the blogs I read are categorized into folders, and sometimes I skip the one labelled “Feminism” altogether just because I don’t feel like reading yet another post or article about how women make 67 cents to every man’s dollar, or how another university paper wrote a “joke” article on rape, or how another film or TV show portrays a world with powerful women as a miserable world for men, or how women’s equality is the cause of everything from depression to the bad economy, or how another objectifying, degrading, insulting ad has been printed/broadcast, or how another sexist zinger has been used to bring down Hillary Clinton (and I’ve pretty much decided I want Obama to win) or in fact any powerful or political woman.
Because honestly, it is depressing. It would be as if you went online everyday and read a series of blog posts or articles about how capoeiristas are universally belittled and undermined, how capoeira isn’t considered a “real” sport just because it’s done by capoeiristas, how you have to do ten public street rodas for every one soccer game to be taken seriously, how over half of assaulted capoeiristas were victims at the hands of their partners or mestres, how the rise of capoeira is the reason for all of society’s problems, how an ad sexualized violating a capoeirista to sell some product, how whenever you tried to do anything big or great with your life people argued you moved too fluidly or sang funny-sounding songs as reasons to take you down, how your school paper wrote a fun article about raping capoeiristas just for kicks, how another “study” has shown that capoeiristas are inherently dumber than other martial artists, how every day capoeiristas are brutally assaulted or killed, and just because you’re a capoeirista. And yes, I realize some of those actually did happen in Brazil during capoeira’s early days, but now imagine it happens today, happens in every country on Earth, and that you didn’t just pick up capoeira somewhere along the way but were born with it in your blood.
So, having said that, please click here and read why feminists don’t “look for stuff to get mad about”.
And once you’ve finished that, here’s the study I promised you!
Representation of Women in Capoeira Songs [pdf]
Picture source:
http://content.answers.com/main/content/wp/en-commons/thumb/5/57/300px-Capoeira-three-berimbau-one-pandeiro.jpg
What with all the talk of women in capoeira today, what was it really like to be literally a girl training among men, in the dry, unforgiving past of earthy Brazil? Thanks to Shayna’s 
From my own observations, all of the capoeiristas with families that I’ve seen have been pretty good at sharing childcare time (taking turns training, going to different classes, etc.), and the rest of the group usually seems more than happy to help out. Actually, something I’ve noticed everywhere is that it seems like all capoeiristas are really good with children!! As someone who dreads playing/working with children even more than partner work (it would be so like me to faire une bêtise and hurt them by accident; and there is nothing more scathing than a scornful young person; and how does one relate to a 6/12/15-year old??), I’ve always wondered why/how this is?
The first, as I said, is the mere lack of representation of women in capoeira, but I will get into this secondly because it covers a lot more ground than the other problem area: the (over?)sexualization of women in capoeira. This type of “representation” could be what the conference discussion group meant by “unrealistic”. For instance, have you seen the “Bonecas da Capoeira” calendar created by 
Mandingueira 
