A martelo / By any other name would hit as fast: Nuance in the Capoeira Game

10 12 2007

What message are you sending with your kicks in the roda?One of the first things I remember learning vividly in capoeira is the concept of nuance (so this first bit will pretty much all be taken from my teachers’ mouths).  Every kick, every move you do has a certain meaning.  When you enter the roda, you enter a foreign world–and so you better know the language.  Questions are posed by your body, not your mouth; smalltalk is delivered with armada, esquiva, quexada; and silent screaming matches are played out in the form of chapa, tesouro, martelo, and the like.  Don’t give a certain kick or do a certain move if you’re not prepared for the consequences, because you never know how the other person will react to the provocation. 

This all makes sense, and it’s beautiful to think of every movement in the roda as meaningful as words, the game a dialogue with as much potential and as many implications as a scene from Hamlet.  However, recently I’ve been thinking about something new: what if there were no nuance? 

My initial reaction was: “Well, that would be weird.  Then people could do anything.”  Then: “Wait a minute…people could do anything.”  Think about it!  Let’s say you’ve just been working really hard on something–a new rasteira set-up, for example–and wanted to try it out in the roda (because we all know that executing a move in class is nothing like trying to execute it in a real game).  How are you going to do that?  You don’t want to go after someone who has a lower belt than you, and if you try it on anyone else they might become mad and get aggressive on you, which you’re not really looking for at the time.  Of course, this is not always necessarily the case, but “better safe than sorry” if you’re paranoid like I am about these things.  If moves had no nuance and everything was fair game, you could go in and test yourself without worrying about inadvertently offending the other person (unless you did a particularly poor rasteira and rammed your foot into their ankle, or something). 

But that’s only a tiny part of it; let’s look at how having no nuances would impact the game overall.  Well, for one thing, no one would have to hold back!  You could do anything without worrying about unduly offending the other person, within reason (i.e. you’d still have to use legitimate capoeira moves…and we’ll leave “But what is legitimate?” for another time).  Which, in a way, makes sense…because if you think about it, anything you do could be considered just part of the game, part of capoeira.  The very unexpectedness of a sudden chapa de costa could be considered just a part of what capoeira is, and the other person shouldn’t get mad because 1) being a capoeirista, you could say s/he should know to expect the unexpected and 2) to reiterate, it’d all just be part of the capoeira game. 

[Now watch me get killed by a sudden chapa de costa the next time I train at my academy XD]

And what games, if people didn’t hold back!  You could put the heat on and play aggressive but in a fun and challenging way for both players, without the game becoming negative.  Instead of smalltalk versus argument, you now just have constant banter, all the way through.  (From Hamlet to Much Ado About Nothing, you might say =P)

Of course, people do all of this on their own anyway, without necessarily having an academy-wide “anything goes” philosophy.  And teaching that every kick has a difference nuance is good for protecting beginners from getting accidentally harmed in the roda, and for making sure they really know something before trying it out on a more experienced player without thinking.

Also, by “anything goes” and lack of nuance, I don’t mean that you can do anything and get away with it, without any consequences–not at all!  The other person can still retaliate, at any time, and they have the right to.  The difference is that they won’t suddenly lose their temper on you, they won’t take offense and hold it against you, and you’ll both know that whatever happens, it’s nothing personal, just all part of capoeira and the game, and both players would probably be the better for it.

Personally, I’m actually fine with nuance, since I was trained in it, and like I mentioned, the drawing of parallels between capoeira and words and language really appeals to me.  However, it might be something worth thinking about, for the next time you enter the roda!





Playing Women in the Roda

9 12 2007

Never underestimate your opponent in the roda, no matter who she is. 

I came across something written by a capoeirista the other day that pretty much infuriated me.  However, I did promise in my very first post that there would be no ranting, so I will restrain myself! 

(Actually, what I would most like to do is copy and paste what I read here and then carefully, logically, thoroughly deconstruct it line by line for all of you.  However, doing things like that sometimes has repercussions, here in cyberspace.  As a result, we’ll all have to settle for a general post on the same topic, but with a slightly different [read: enlightened =P] point of view.)


When playing women in the roda, do not hold back.
  It irritates me even to be writing this post, as you’d think playing women in the roda (technique-wise, not dynamics-wise) is no different from playing men in the roda; basically, this should be a completely pointless post, with a pointless title, except for the fact that there are people out there who sadly believe otherwise!

Their argument goes like this: Women are naturally physically weaker than men (how true this statement is and its implications, etc., we’ll leave for now).  Thus, men–and let’s say stronger women–should play “down to their level” to level the field, or to protect the woman from accidentally getting hurt in the roda.  Let’s call this the Chauvinist Theory.

Now, there is nothing wrong with the basic intentions behind this way of thinking.  The exact same idea is legitimately applied to beginners: play more slowly and carefully against them because they don’t know quite what they’re doing yet or aren’t strong/quick/good enough yet and might get hurt.  That’s for beginners, people who presumably have little to no capoeira skills yet, and so that makes sense.  It’s relatively safe to assume that you need to go easy on beginners in the roda, because as beginners, they are less skilled by definition.  However, the Chauvinist Theory incorrectly links just strength directly to one’s joga ablity, then assumes that as women, we are less skilled by definition.  Which is interesting, because since there are countless female capoeiristas at levels higher than beginner, do these people think that their mestres have one corda graduation standard for women and another, harder graduation standard for men? 

I’m reminded of a line in the Antigone Magazine blog post to which I directed all of you in my “Why Write About Female Mestres?  The Feminist Catch-22” post.  According to the Antigone post, which was on misogyny in anti-Hillary Clinton facebook groups, “If you dislike a male politician, then there is something wrong with that particular politician. If you dislike a female politician then you often find something lacking in the entire female sex.”  People who buy into the Chauvinist Theory seem to suffer from the same mental lapse: if you accidentally hit a man in the roda, it’s because he wasn’t paying attention or wasn’t quick enough or just basically needs to improve his capoeira skills; if you accidentally hit a woman in the roda, however, it’s because she’s a woman and therefore you should go easy on every woman you play from now on. 

I can hear the bulls bellowing…I think they want their crap back.

What people should do–and this is supposed to be common sense–is assess each opponent individually.  (I’m honestly cringing at this paragraph already; it seems like such a given!)  Maybe she’s a woman who definitely is not athletically gifted, so in this case yes, give her a chance to do something while playing.  And maybe she’s a natural at capoeira, better than you are, and she’s really adjusting her game down to your level.  The point is, you don’t judge someone’s capoeira ability based purely on their gender.  There is absolutely no logic in that–none, whatsoever!  By playing down to all women, you are not only holding yourself back from a chance to improve and from what might’ve become a really good game, you are deliberately stunting the progress of the person you are playing.  This is even worse if you are supposed to be the person’s teacher; your role is to challenge and improve your student’s game, not pander to what you think is their beginner’s comfort zone (if they haven’t progressed beyond it already)!

I know/hope that this post was entirely unecessary for most of you, but I felt it still needed to be put out there.  (Plus, it was either that or physically hunt down the guy and drag him into a few games with some of the girls from my academy, and I don’t have the time for that right now.)

p.s. This entry’s picture was done by a friend of mine!  Isn’t it awesome? 😀

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