Videos: Capoeira Games with a Twist

14 04 2008

By now, you’ve probably all seen countless games of capoeira regional and capoeira angola.  You’ve played benguela, and experienced awe watching iuna.  However, have you ever seen Amazonas in action?  Have you played to the toque of miudinho?  All of the following videos feature different variations of capoeira games, created at different times for different purposes, and they are truly interesting and fun to watch.  Enjoy!

 

Amazonas

Amazonas, appropriately enough, has capoeiristas moving in ways that imitate rainforest animals, as well as more domestic types. It was created by Mestre Camisa of ABADA Capoeira, and is played to Mestre Bimba’s toque of the same name.  It was my friend’s idea to write this post topic, but this video she sent me was the inspiration for actually doing so!  It’s one of my favourites, and one of the coolest capoeira videos I’ve ever seen.  It’s just so creative, and it’s amazing what people can do with their bodies.  (I know that applies to capoeira in general, but somehow it really hit me with this video.)

 

Jogo de Dinheiro

Jogo de dinheiro, or the “money game”, involves two capoeiristas playing each other with a bill or handkerchief full of coins or money placed in the centre of the roda. The goal of the game is to pick up the money with your mouth, as reminded by the song lyrics in Apanha Laranja: “harvest the orange not with your hands, but with your feet and mouth (‘beak’)”. One source mentioned this was how capoeiristas sometimes battled for their earnings after busking on the streets.  This video is from a Senzala group in Croatia, and just plain fun!  I love seeing how all the capoeiristas block each other from getting the money. 😛

 

Jogo de Dentro

Jogo de Dentro (“Inside Game”) is generally known as the close (or closed) game where capoeiristas play low, tight and as closely to each other as possible.  Unfortunately I couldn’t find any videos that for sure showed jogo de dentro being played, so instead here’s a video of Mestre Jogo de Dentro, moreover who is playing Mestre Moraes.  Plenty of sweet “gotcha” moments in this one!

 

Miudinho

Miudinho is a particular type of close, tight game of capoeira created by Mestre Suassuna. In his words:

“The game of miudinho is generating controversy because it is being misinterpreted. People are thinking it’s a new capoeira, and it’s nothing like that. I simply rescued an older capoeira, modernized the manner of playing it, changed the sequences… the name miudinho arose because I was observing that capoeiristas were playing very distant from each other and in our time we played very close; thus, I said to people, ‘I want the game more minute, closer, play very tiny.’ Then, I created a toque on the berimbau. Miudinho is not a new capoeira, it’s a different manner to display capoeira. Just like the games of Iuna and São Bento Grande exist, the game of miudinho exists.” 

The capoeira jogo in this video seems a little more acrobatic than I would’ve expected miudinho to look like, but it’s still really cool.  Another video’s description mentioned how a lot of movements in miudinho are supposed to be more circular than normal so as to fit within a tight space.

 

I hope you enjoyed finding out about and watching these samples of “creative capoeira”.  😀  If you know of any more capoeira game variations or find cool capoeira videos that do a little something different, please share it with us!





Ie viva meu Mestra, Part 6: Mestra Paulinha

7 01 2008

Something interesting I noticed while researching Mestra Paulinha and Mestra Janja is that it was a lot easier to find information about recent or current things they had done/were doing, than it was to find things in the past that they had done (like a plain old biography!).  I found this really intriguing because normally, for capoeira mestres/mestras, all you can find is their stock biography, plastered word-for-word all over the capoerista’s World Wide Web.  Furthermore, most of the information I did find was about projects or events they had done or were part of, rather than accounts of their capoeirista journeys leading up to them becoming mestras and having their own group. 

I suspect this is connected to my last post about how capoeira (angola), at least for Mestras Paulinha and Janja, is inherently about bringing about change, and to say the least, they do more than just talk about how it is and actually show how it is.  I really admire how they have found a way to seamlessly merge career, academics, capoeira, and working for change all into one!

Mestra Paulinha of Grupo Nzinga CapoeiraMestra Paulinha, like Mestra Janja, is a veritable force to be reckoned with in the fields of social issues, academia, and (of course) capoeira. Last year marked her 25th in capoeira angola, and in that time she: earned a master’s and doctorate degree in Sociology (from the University of Bahia and University of São Paulo, respectively); became a distinguished professor at the University of Bahia; gave lectures on various topics in various settings; published scholarly articles; and worked with Mestra Janja to focus attention on (anti-)racism, youth, higher education, identity, black culture, and women in capoeira.

Mestra Paulinha began training capoeira near the start of the 1980s, in GCAP (Grupo Capoeira Angola de Pelourinho), also with Mestres Moraes, João Grande, and Cobra Mansa. She became a contra-mestra in 1990 and moved to São Paulo in 1998, where she became a coordinator of INCAB (Instituto Nzinga de Estudos da Capoeira Angola) along with Mestra Janja and Mestre Poloca. In 2002, Mestra Paulinha moved to Salvador, and leads a core group of Grupo Nzinga Capoeira there. She is the grupo’s designated sociologist, and has maintained constant dialogue with other capoeira angola groups in order to further INCAB’s goals.

Editor’s note: INCAB is not, as was implied in Mestra Janja’s write-up, the same as Grupo Nzinga Capoeira. INCAB is a larger, umbrella organization that encompasses several smaller associations, such as Grupo Nzinga Capoeira and the Nzinga Berimbau Orchestra.

Sources:
http://ficadc.blogspot.com/2007/08/beyond-roda-both-ms-paulinha-and-janja.html
http://buscatextual.cnpq.br/buscatextual/visualizacv.jsp?id=K4785350J1 (with Google translation)
http://www.chamadademandinga.de/04frauentreffen/04_info/bio_pt.htm (with Google translation)

Click here to see other posts in Ie viva meu Mestra

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Ie viva meu Mestra, Part 5: Mestra Janja

3 01 2008

I almost made a huge oversight in this series–so far all of the mestras or contra-mestras featured have been players of capoeira regional, but of course there are angoleira mestras as well, and they are amazing!  Apologies to any angola capoeiristas who read this blog, and much thanks to Shayna McHugh of Capoeira Connection and Bahia-Capoeira Blog for bringing several angola mestras to my attention! 

Today I want to tell you about Mestra Janja, who has done/is doing so much inside and outside of capoeira that I hardly knew what to talk about first.  And she’s not the only one, so please look out for following posts in this ongoing series!


Mestra JanjaMestra Janja, or Rosangêla de Araújo Costa, is a well-known and much esteemed mestra in the world of capoeira angola. A former student of renowned Mestres João Grande, Moraes, and Cobra Mansa, she began training in Salvador during the early 80s. In 1995, Mestra Janja founded the Instituto Nzinga de Estudos da Capoeira Angola e Tradições Educativas Banto (Grupo Nzinga de Capoeira Angola), along with Mestra Paulinha and Mestre Poloca. Instituto Nzinga, an NGO based in São Paulo and named after a 16th century African queen, works towards an anti-racism and anti-sexism mission statement beyond the preservation of capoeira angola and its traditions.

Mestra Janja plays a major role in social issues related to capoeira. She has coordinated projects such as affirmative action for black students’ entrance into university, and leads the Network of Women Angoleira (RAM). In addition, Mestra Janja has helped to organize events such as last year’s VI Congresso Badauê of Women Capoeiristas, for which she also taught workshops and organized an international conference in Atlanta, USA. Last year, celebrations were held in Salvador to commemorate Mestra Janja’s 25th year in capoeira angola.

Beyond her superlative capoeira skills and extensive social work, Mestra Janja is known for being a top scholar in the field. She completed a master’s and doctorate’s degree in Capoeira Angola at the Federal University of São Paulo, and graduated from the Federal University of Bahia with a degree in History. A university professor and published scholar, Mestra Janja is Grupo Nzinga’s historian and co-publisher of Real D’Angola magazine. She also conducts the Nzinga Berimbau Orchestra, which performs pieces that create links between capoeira and other types of Afro-Brazilian music, such as jongo, tambo-de-crioula, and bumba-meu-boi.


Sources:
http://www.capoeira4all.org/mestres/index.php?id=1604
http://ficadc.blogspot.com/search/label/Mestre%20Janja
http://ficadc.blogspot.com/2007/08/beyond-roda-both-ms-paulinha-and-janja.html
http://www.chamadademandinga.de/04frauentreffen/04_info/bio_pt.htm (with Google translation)
http://www.dicadeteatro.com.br/feafro2.htm (with Google translation)
http://www.auniao.pb.gov.br/v2/index.php?option=com_content&task=view&id=5798&Itemid=35 (with Google translation)
http://www.joaopessoa.pb.gov.br/noticias/?n=5660 (with Google translation)


Click here to see other posts in Ie viva meu Mestra


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